Latest Event Updates
The treats continue as the Coast to Coast Choir has pleasure in introducing the second of the four soloists for the combined choirs performance of Verdi’s famous Messe da Requiem to be performed at 7.30pm on Saturday 2nd July 2016 in the Assembly Rooms, Torquay Town Hall.
If you are unable to come to Torquay then the performance takes place again in the Pannier Market, Barnstaple on Sunday 3rd July starting at 3pm.
Tickets for the Torquay performance can be obtained through this website – for further details click here
Second on our list of soloists for these two concerts is South African baritone Dawid Kimberg. Dawid has stepped in to sing the tenor part as the soloist originally advertised, David Webb, is unable to join us. We are fortunate indeed to have Dawid to sing with us – as you will discover from his resume and the wonderful video from Inside Opera Live he is not only a fine singer but also capable of turning tweets into artistry.
Dawid was a Jette Parker Young Artist for The Royal Opera 2009–11, singing roles including Steersman (Tristan und Isolde) Moralès (Carmen) Marullo (Rigoletto) and Surintendant des Plaisirs (Cendrillon). Since leaving the Programme he has returned to sing Masetto (Don Giovanni) for the Company.
Kimberg was born in Johannesburg and moved to the UK in 2001 to study singing with Ryland Davies at the Royal College of Music and at the National Opera Studio. Kimberg’s engagements have included Dr Falke for Bolshoi Opera, Guglielmo (Così fan tutte) for Opera Holland Park, Count Almaviva (Le nozze di Figaro) for Glyndebourne on Tour, Mr Gedge for Théâtre du Capitole du Toulouse and Ned Keene (Peter Grimes) for Deutsche Oper am Rhein.
Kimberg regularly performs in many major oratorio works in the UK and beyond, and in recital has sung at the Wigmore Hall. Further concert appearances include Schubert’s song cycles Die schöne Müllerin and Schwanengesang in the Crush Room at the Royal Opera House.
We are in for a real treat as the Coast to Coast Choir has pleasure in introducing the soloists for the combined choirs performance of Verdi’s famous Messe da Requiem to be performed at 7.30pm on Saturday 2nd July 2016 in the Assembly Rooms, Torquay Town Hall. If you are unable to come to Torquay then the performance takes place again in the Pannier Market, Barnstaple on Sunday 3rd July starting at 3pm. Tickets for the Torquay performance can be obtained through this website – for further details click here
First on our list of soloists for these two concerts is Héloïse West, a well-known and accomplished soprano who we are delighted to welcome. Heloise will take us through the highs and lows of the great work finally reaching the highest of high notes towards to the end of the Requiem. You will discover what this is like if you watch the video below, sung by Renee Fleming and conducted by Antonio Pappano – if you haven’t time to listen to the whole piece go to 7 mins 15 seconds and listen for a moment or two. At 11mins 26 seconds you can hear another stratospherically high note. This is, indeed, one of the great feats of the human voice and to hear a singer live achieve this wonderful sound is a treat indeed.
Héloïse West was born in Devon. When she joined the National Youth Choir of Great Britain she received a gifted pupil award. She gained an Entrance Exhibition to the Royal Academy of Music, graduating with an LRAM and a Bachelor of Music degree in performance. She has also studied at the Guildhall School of Music and Drama.
Héloïse has recently started an in-depth course of study on Wagnerian roles with Lionel Friend.
She has a busy career in the South West singing oratorios.
Her performances include : Bach- St.Matthew Passion, St.John Passion,Mass in B Minor, Brahms– Requiem, Handel- Messiah, Haydn– Nelson Mass, Creation,Mendelssohn-Elijah, Mozart– C Minor Mass, Coronation Mass, Requiem,Poulenc-Gloria, Verdi-Requiem.
It’s always a challenge to learn a complex piece of music – especially if you don’t read music. South Devon Choir is a community choir and a recent survey of members revealed that 25% of members read music very little. Nonetheless, you don’t have to read music to be able to sing very complex music – ears are the key. Hearing the music as others sing it, listening to the piano and practice, practice, practice are what enables the singer to learn.
Here South Devon Choir practice the Sanctus from the Verdi Requiem with the passionate John Hobbs, their Musical Director. Each part (SATB) is split in two – so there are 8 parts singing. Timing is complex, the music intricate. With plenty of time to go until the actual performance members of the Choir concentrate on learning the unfamiliar notes and timing.
The performance itself will feature over 200 voices as South Devon Choir combines with choirs from North Devon and Cornwall to form the Coast to Coast Choir in an epic staging of the Requiem in the Assembly Rooms, Torquay Town Hall, Torquay – on 2nd July 2016 and again in Barnstaple Pannier Market on 3rd July. Accompanying them will be the Festival Orchestra and professional soloists Cheryl Brendish, Heloise West, David Webb and Darren Jeffery. Tickets are available from Visitor Centres in Torquay, Paignton and Newton Abbot, on our website (click here for tickets) or you can buy them on our Facebook page.
Our lovely chairperson, Sally Laird, is a singing addict and she attends lots of choral workshops and signs up for other one-off choir performances. She explains, in what follows, how she feels about singing and why it is so good for her and for other people.
“What a totally stunning experience it was to sing Britten’s incredible War Requiem to a full Exeter Cathedral recently. Worth every minute of committed rehearsal from all the musical forces gathered there. And of course what can one say about Marion Wood who led us all so wonderfully. Sadly her last concert with the Exeter Music Group. My goodness how we will all miss her calm, knowledgeable, witty, entertaining, charming, intelligent leadership and conducting. Exhausted afterwards but occasions like that are very good for the soul, even if the knees etc ache a bit!
Through singing in concerts like this virtually all my life I feel I’ve made a whole lot of new friends – in every voice part!
Which is why – for all the above reasons – I should like to recommend to anyone glancing at this website and wondering about joining a choir- don’t hesitate! It can change your life.
I believe belonging to one choir sort of opens the door to knowing about opportunities to do mind-blowing things in other choirs and leads to life enhancement and enrichment and as I’ve already suggested…having the chance to get to know lovely people with similar interests and sharing experiences with them.”
When we see a professional singer on the stage, in their home environment, performing in front of a big audience we often forget that for every professional singer there are hundreds of amateurs and young professionals putting themselves out there for all to hear and judge.
At our concert on Saturday 12th March South Devon Choir was pleased to welcome a new young singer who performed the soprano part in Schubert’s Mass in G.
Clare Lash-Williams attended Sherborne School for Girls where she excelled in music. Fast becoming an in-demand Soprano soloist Claire has appeared as a singer on regional TV.
As member of the Collati Singers, Clare regularly sings for a range of choral events and has recently worked with the Alvington Singers, the Lympstone Military Wives and the Crediton Singers. She also sings for weddings and special events and is currently expanding her teaching practice.
Despite being afflicted with a cold and cough (which seems to be norm for this end of a long damp winter) Clare Lash Williams demonstrated that she has a lovely voice with pure top notes and gave a performance much enjoyed by the Choir and audience alike. Our thanks go to her for travelling to be with us for a short but much appreciated participation in the concert; we hope that we will see and hear more of her in the future (and that her cold gets better very quickly).
Choir members usually stay bashfully in the body of the Choir but one of our tenors, John Christian, came out to perform a solo in the Schubert Mass.
John has been singing as a tenor with the South Devon Choir since 2002 during which time he has also been developing as a solo singer – he has sung for local choirs, including The Stanborough Chorus, singing the tenor solos in Mendelssohn’s Hymn of Praise and Elijah, Coleridge-Taylor’s Hiawatha’s Wedding Feast and making various guest appearances. He is also a soloist at St Paul’s, Preston, in their regular Easter gathering of singers for Stainer’s Crucifixion and Maunder’s Olivet to Calvary.
John studies locally with Veronica Layne and sings in S.W. England Festivals both in Torbay and Plymouth.
It is great to have such enthusiasm and talent within the Choir and John displays his artistic side both as a singer and a maritime artist. In the past he has also been kind enough to donate pictures for Choir funding raising activities so one way and another the Choir has much to say thank you to him for. (You can see his pictures on his website .)
Famous Choral Classic for a Royal Birthday Celebration
There are some pieces of music which are so familiar and well-loved and I was glad by Sir Hubert Parry is surely one of them.
Sung at the entrance of the Monarch at the Coronation and at royal celebrations such as weddings, with the advent of widespread television, this anthem will be well-known to millions. South Devon Choir will conclude its Choral Classics concert on 12 March 2016 with this lovely piece of music – as a tribute to Her Majesty Queen Elizabeth II as she approaches the occasion of her 90th birthday.
For further details of this concert and to obtain tickets please click here.
Tickets are also available on the door – the concert starts at 7.30pm at Central Church, Torquay.
#queenelizabeth #royalbirthday #torquay #music #concert
Catch a Choral Workshop ticket
Discounted tickets will be available until 12th February, so being an Early Bird is advisable.
The all-day workshop has been arranged to assist members of the Choir as they prepare to perform the Requiem on 2nd July in Torquay and members of other choirs and the general public are also very welcome.
Tickets have been selling fast to beat the Early Bird expiry date of 12 February but there are places still available and the Choir will run a waiting list if the Workshop is over-subscribed. If you are interested in attending the Workshop more information is available here.
We promise – it will be an experience that you won’t forget.
THERE is no doubt that we love tradition in Britain and one of the most satisfying traditions is to hear a choir singing and keeping alive the music of long ago; the tradition seems even stronger and more meaningful when the music is bound up with the history of the Church and the daily musical and choral life in our parishes and, particularly, our stunning cathedrals.
The Magnificat settings of Bach and Vivaldi have now been sung for almost 300 years since their first performances in the early 18th century and, of course, the story is much older than that. Go back another hundred years and we have the splendour of Tudor times and what has been termed a golden age in English music, when the Magnificat was being composed by the likes of Thomas Weelkes at Chichester Cathedral and Orlando Gibbons at Westminster Abbey; they died in 1623 and 1625 respectively. The traditional settings of Luther’s translation of the Magnificat can be traced back to variants of Gregorian chant and in Protestant music it is thought that no other Latin text was more often set to music.
There was a great resurgence of interest in Bach’s music in Victorian times, which may have been triggered in 1829 by a then rare performance of the St Matthew Passion conducted by Mendelssohn. Our nation’s choral societies have always loved their Bach and the South Devon Choir is maintaining that tradition on 28th November at The Parish Church of St Mary the Virgin, St Marychurch, Torquay, though it is surprising to note from Malvern Cooke’s history of our choir that Bach’s Magnificat – reckoned to be one of his most significant and popular works – has been performed only once before, in 1986 at Central Church, Torquay.
The problem is that maintaining tradition takes money and an awful lot of effort. Concerts such as this do require a budget, a great deal of planning and roughly a three-month session of weekly rehearsals. Basically, our singers do it because they love the music and they want to maintain a tradition.
For us, the audience at this time of year, it becomes a wonderful Christmas gift.
If you would like to join us on Saturday buy your tickets online here