torquay
St Nicolas Concert Soloist
Elinor Chapman
Our soprano soloist for our concert on 25 November at St Matthias’ Church, Wellswood, Torquay is the sublime singer, Elinor Chapman.
Elinor graduated with a degree in Law with French before taking a post-graduate diploma in performance and vocal studies at the Royal Welsh College of Music and Drama.
Since then she has performed many operatic roles including Despina (Cosi), Oscar (Ballo in Maschera),
Adele (Fledermaus), Mercedes (Carmen) and Blonde (Die Entfuhrung aus dem Serail) for
companies including Kentish Opera and Unexpected Opera. For Duchy Opera Elinor has played Malwina in Marschner’s The Vampire and Adina in Donizetti’s The Elixir of Love.
She has twice toured as a soloist with the Kent Sinfonia to China and has given concerts and recitals as far afield as New Zealand.
Oratorio work includes Pergolesi’s Stabat Mater, Mozart’s Requiem, Handel’s Judas Maccabbeus, Haydn’s The Seasons, Vivaldi’s Gloria, Mozart’s Exsultate Jubilate and Faure’s Requiem. Future engagements include Mozart’s Requiem, Haydn’s Little Organ Mass and Handel’s L’Allegro, il Penseroso ed il Moderato.
To hear Elinor perform in Bach’s ‘Sleepers, Wake!’ and ‘Let the Bright Seraphim’ from Handel’s Samson Oratorio join us on Saturday 25 November at the earlier time of 7pm.
Tickets are available priced £12 for the concert with a separate ticket of £4.00 for the finger buffet. As usual children and students under 19 are welcome to the concert free of charge but will require a finger buffet ticket at £4.00. Tickets can be obtained from Choir Members, online and of course on the door. Please note that because we have to cater we are asking people to book tickets no later than Saturday 18 November. There may possibly be extra buffet tickets available on the night but first come, first served as they say.
#sdevonchoirconcert
To buy tickets now please use our secure online booking system
Will the real Father Christmas please stand up
St Nicolas, the real Father Christmas
Excitement builds in the minds of small children as Christmas Eve approaches and Santa leaves presents for them but what do we know of this magical person? Who is he? Who was he?
The origin of Father Christmas, or to give him his proper name, St Nicolas, is shrouded in the mists of time. All we know of him is largely down to a writer from the 9th century giving an account of a figure who lived some 500 years before, one Nicolas of Myra.
Nicolas of Myra was reputed to have performed a number of kindly, indeed saintly, acts including the restoration to life of children whom he raised from the dead, the rescues of three sisters destined for a life of misery and prostitution, three men from an unjust death and three drowning sailors off the coast of Turkey. You can see the influence of the holy number three in these accounts.
His diverse activities have earned him the patronage of unmarried girls, pawnbrokers, merchants, perfumiers and apothecaries as well as the modern fame in which he is now held.
At our concert on 25 November we will sing of the life of St Nicolas, including the restoration to life of the children. In the Britten Cantata the children are three small boys, Timothy, Mark and John, whose parents are in anguish at their disappearance. Nicolas realises that the boys have been pickled in brine by an unscrupulous butcher and supplied as meat to a landlord in the famine stricken land. He restores them to life and you will hear them in the concert as their parts are sung by three choristers from Exeter Cathedral.
Forget Strictly, catch up on iPlayer, and come out for an evening of choral entertainment with us as we sing St Nicolas and the famous Bach Cantata BMV140 Sleepers, Wake! and if you would like to join us for a finger buffet afterwards then be quick and buy tickets for that too – the deadline is Saturday 18 November (for catering purposes) but concert tickets will be available on the door on the night.
Tickets are available online click here
For more information about the concert click here – do join us.
When daffodils by George Shearing and William Shakespeare
As part of our concert programme Celebrating Summer, we sang a pretty little number celebrating Spring – well, why not? Short and sweet, here is Shakespeare set to music.
What do you think of it?
Christus Natus Est!
Joyous Christmas Singing
Mobile phone technology being what it is now, a member of our audience has supplied us with this recording of the last part of Cecelia McDowall’s lovely Christmas Cantata, “Christus Natus Est!” We hope it will enjoyed once again by those who attended the concert and for the first time by those who didn’t.
Happy Christmas, to one and all.
Got a Handel on it now?
Chorally Confused has been getting along just fine singing with the South Devon Choir. Despite her relative inexperience and near non-existent music reading skills enthusiasm and determination have paid dividends and when it was announced that the Choir would be singing Part 1 of Handel’s Messiah Chorally Confused thought to herself
“No problem. I’ve heard it so many times, it will be a doddle to learn. After Verdi’s Requiem, how hard can it be?”
At the first practice Chorally Confused discovered that she was the only one, apparently, who had never sung Messiah before. Gasps of amazement at her inexperience were heard – then she noticed that she was not the only one who had put up her hand – others, slowly were admitting that they, too, had never sung this piece before. The conductor smiled cheerily and the rehearsal started.
It’s funny how, no matter how many times you may, or may not, have sung a piece of music there is always something new to be discovered, or some passage that you never sang quite correctly. For Chorally Confused it has been a whole new experience – how to sing something correctly when you have only heard it sung before and how to pack an awful lot of notes into a very short space of time. When asked what she thought of it after the first rehearsal she was heard to observe, “I think Handel must have been in a hurry when he wrote this and he didn’t have to try singing it himself.” Well, she was right in her first observation – the whole work was written in a matter of three to four weeks, so perhaps Handel was in a hurry.
Chorally Confused has also been observed wandering round muttering to herself. We discovered that this was not muttering but her practising the long runs of notes as suggested – pa-pa-pa-pa.
Providing she, and the rest of the Choir, remember to sing the words, this will have been a very helpful exercise.
By last week’s rehearsal Chorally Confused admitted that she “Had a Handel on it, thanks”. We are pleased for her.
If you would like to come along and hear the Choir sing on Saturday 10 December at 7.30pm at Central Church, Torquay , and of course hear if Chorally Confused really has got a handle on the notes and necessarily in the right order, then you can buy tickets online https://southdevonchoir.org/hallelujah-its-christmas/ or on the door. Tickets cost £12 (please note a booking fee applies online). Alternatively you can check out our Tickets page for further information.
Please do come.
#sdchoirchristmas #sdcchristmas
Sing in a choir for health
Once singing in a choir was reserved for church on Sundays but in the last few years choral singing has become more and more popular. Gareth Malone and his series The Choir and other reality TV shows, such as the X Factor, have inspired people to find their voice and find a choir to sing in. In fact, it is now estimated that 2.8 million people in Briton take part in a choir or singing group and many more probably sing solo in the shower, the kitchen and the car as they go about their daily business. Music is a mood influencer and we have only to look at the amount of music written over centuries to see its powerful effects.
What’s more, it has been shown that if you join a choir you will feel part of a group more quickly than many other activities. There is something special about singing, revealed in an October 2015 research project undertaken by The Royal Society which indicates that singing may be an evolutionary development that enables human beings to bond more quickly in social situations.
Singing can even act as a pain-killer probably due to the release of endorphins and can create a feeling of well-being, especially when singing as part of a group. The harmonious activity acts to synchronise us together and creating a beautiful sound lifts the spirits.
We hope that this will have convinced you that a choir is worthwhile joining for all its beneficial effects. Come along and try for yourself; the Choir resumes singing in September when we shall be practising the fantastic Messiah
Picture from https://www.flickr.com/photos/8176740@N05/4703393210/in/photolist-8aC7Wo-8ayTRB-8aC9nm-8aySuX-7YAzYS-7YAAKq-7YAAmh-7YAzBu
The Verdi Soloists – Cheryl Brendish
In the fourth of our soloist introductions the Coast to Coast Choir has pleasure in introducing the soprano singing the mezzo soprano role in the combined choirs performance of Verdi’s famous Messe da Requiem to be performed at 7.30pm on Saturday 2nd July 2016 in the Assembly Rooms, Torquay Town Hall. Tickets for the Torquay performance can be obtained through this website – for further details click here
If you are unable to come to Torquay then the performance takes place again in the Pannier Market, Barnstaple on Sunday 3rd July starting at 3pm.
The soprano singing the mezzo soprano role is the effervescent and versatile Cheryl Brendish. As you will see from her resume below she has had a varied career and we have discovered it started at the very young age of seven when she won her class at the Mansfield Music Festival singing Where the Bee Sucks. Regrettably there is no recording of that occasion available on the internet, nor indeed have we been able to find a clip of Cheryl singing so you will have to content yourselves with listening to the Liber Scriptus performed by Violeta Urmana and know that you will have the pleasure of hearing Cheryl sing this beautiful solo when you come along to the concert.
We understand that Cheryl enjoys an active career as an operatic and concert performer. She studied voice for many years and her operatic roles include Thirza The Wreckers, a role which had not been performed on stage for 100 years, directed by David Sulkin; Suzuki Madame Butterfly; First Lady Magic Flute; Zerlina Don Giovanni; Dido in Dido & Aeneas and many more.
Cheryl is also a successful concert artist. In 1985 she performed Mozart’s Mass in C Minor with Sir Simon Rattle and the Birmingham Symphony Orchestra, and Mendelssohn’s Elijah with Alan Opie in 2005. Other concert repertoire highlights include Verdi Requiem, Mozart Requiem, Handel Messiah, Bach Christmas Oratorio, Bach Magnificat, Elgar The Kingdom and Charpentier’s Te Deum.
Cheryl has been the guest soloist with the Mount Charles Band at the The Minack Theatre for the past 9 years for ‘Last Night of the Proms’.
Cheryl has been invited to attend many masterclasses, including on 1982 with John Carol-Case and most recently with Ingrid Surgenor, Mollie Petrie, Richard Jackson, Russel Smyth, Peter Harrison and Neil and Penny Jenkin.
A member of Cantamus from 1978 to 1983, Cheryl studied in London before joining the Victoria State Opera, Melbourne. Cheryl moved to Cornwall in 1997 and won the title of Cornwall’s Vocal Champion in 2000. Cheryl performs many solo recitals both in and out of the county; along with Kay Deeming and Paul Drayton, Cheryl formed the trio ‘Col Canto’ in 2005.
The past few years have been challenging and exciting for Cheryl as her voice has blossomed into a full lyrical soprano, which has opened up a whole new repertoire of heroines to be portrayed. Cheryl continues to produce and develop her ‘Opera Cabaret’, where she performs a variety of genres from jazz to swing and cabaret classics all mixed with storytelling and torch songs; with invited musicians from across the south west.
- ← Previous
- 1
- 2
- 3
- Next →
