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George Gershwin, the son of Russian immigrants who settled in New York, joined the popular music business in his mid-teens, composing his first song in 1916. Other songs were written for inclusion in Broadway shows leading to La La Lucille! (1919), a complete Broadway score, the first of a series of stage works that placed Gershwin at the centre of New York theatrical life for 15 years, and which formed the platform for his prodigious melodic talent.
In 1919 he also composed his first big ‘hit’, Swanee, recorded the following year by Al Jolson and earning Gershwin $10,000 alone in that year.
Gershwin did not consider classical and popular music as discrete genres, and in Rhapsody in Blue (1924) for piano and orchestra combined elements from each genre with success, as well as in such large scale works as the Piano Concerto (1925) and the opera, Porgy & Bess (1935).
In a significant number of works he was also not afraid to introduce some of the compositional techniques associated with the latest classical music to convincing effect.
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This term we are learning ‘The Creation’ by Joseph Ha… and that was where the problem started. The correct spelling and the pronunciation are not quite the same. Just three letters of the alphabet and as Eric Morcombe once famously said “…. not necessarily in the right order!”
The posters were drafted and distributed to the Committee for feedback and back came the reply – “You’ve spelt Haydn wrong”. Well its a tricky and unfamiliar name, not like Smith or Mitchell and the speller didn’t know how to spell it either.
How many variations on a theme can there be? Hadyn, Hydan, Hyden, Haydn. The trouble is once a word is spelled wrong it then sits quietly in the brain waiting to jump out at every opportunity. Every time it goes into the public domain, like on our Facebook page, yours truly gets a bit of a twitch and has to go and check it out just to make sure its right.
Anyway, I hope it is now correct as the posters are in print – otherwise I’m really on a Haydn to nothing.