Opera

The Verdi Soloists – Cheryl Brendish

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Cheryl Brendish
Cheryl Brendish

In the fourth of our soloist introductions the Coast to Coast Choir has pleasure in introducing the soprano singing the mezzo soprano role in the combined choirs performance of Verdi’s famous Messe da Requiem to be performed at 7.30pm on Saturday 2nd July 2016 in the Assembly Rooms, Torquay Town Hall.  Tickets for the Torquay performance can be obtained through this website – for further details click here 

If you are unable to come to Torquay then the performance takes place again in the Pannier Market, Barnstaple on Sunday 3rd July starting at 3pm.

The soprano singing the mezzo soprano role is the effervescent and versatile Cheryl Brendish.  As you will see from her resume below she has had a varied career and we have discovered it started at the very young age of seven when she won her class at the Mansfield Music Festival singing Where the Bee Sucks.  Regrettably there is no recording of that occasion available on the internet, nor indeed have we been able to find a clip of Cheryl singing so you will have to content yourselves with listening to the Liber Scriptus performed by Violeta Urmana and know that you will have the pleasure of hearing Cheryl sing this beautiful solo when you come along to the concert.

We understand that Cheryl enjoys an active career as an operatic and concert performer. She studied voice for many years and her operatic roles include Thirza The Wreckers, a role which had not been performed on stage for 100 years, directed by David Sulkin; Suzuki Madame Butterfly; First Lady Magic Flute; Zerlina Don Giovanni; Dido in Dido & Aeneas and many more.

Cheryl is also a successful concert artist. In 1985 she performed Mozart’s Mass in C Minor with Sir Simon Rattle and the Birmingham Symphony Orchestra, and Mendelssohn’s Elijah with Alan Opie in 2005. Other concert repertoire highlights include Verdi Requiem, Mozart Requiem, Handel Messiah, Bach Christmas Oratorio, Bach Magnificat, Elgar The Kingdom and Charpentier’s Te Deum.

Cheryl has been the guest soloist with the Mount Charles Band at the The Minack Theatre for the past 9 years for ‘Last Night of the Proms’.

Cheryl has been invited to attend many masterclasses, including on 1982 with John Carol-Case and most recently with Ingrid Surgenor, Mollie Petrie, Richard Jackson, Russel Smyth, Peter Harrison and Neil and Penny Jenkin.

A member of Cantamus from 1978 to 1983, Cheryl studied in London before joining the Victoria State Opera, Melbourne. Cheryl moved to Cornwall in 1997 and won the title of Cornwall’s Vocal Champion in 2000. Cheryl performs many solo recitals both in and out of the county; along with Kay Deeming and Paul Drayton, Cheryl formed the trio ‘Col Canto’ in 2005.

The past few years have been challenging and exciting for Cheryl as her voice has blossomed into a full lyrical soprano, which has opened up a whole new repertoire of heroines to be portrayed. Cheryl continues to produce and develop her ‘Opera Cabaret’, where she performs a variety of genres from jazz to swing and cabaret classics all mixed with storytelling and torch songs; with invited musicians from across the south west.

 

The Verdi Soloists – Darren Jeffrey

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Darren Jeffery
Darren Jeffery

In the third of our introductions we turn our attention to the bass soloist in the Coast to Coast Choir’s performance of Verdi’s famous Messe da Requiem to be performed at 7.30pm on Saturday 2nd July 2016 in the Assembly Rooms, Torquay Town Hall. Tickets for the Torquay performance can be obtained through this website – for further details click here

If you are unable to come to Torquay then the performance takes place again in the Pannier Market, Barnstaple on Sunday 3rd July starting at 3pm.

Singing the bass soloist’s part for us is Darren Jeffery. If, like most of us, you wish you could attend the BBC Proms but trying to get hold of tickets, travel and somewhere to stay makes such a trip out of reach you will be pleased to know that, not only can you hear a work that is being performed at the Proms this year but also, a performer who has sung a major roles at the Proms including performing in Elijah in 2003.

Here’s a taste of his voice like the finest, darkest chocolate. Listen as Darren sings “Abendlich strahlt der Sonne Auge” from Das Rheingold by Richard Wagner and let it whet your appetite for his performances in the dramatic Messe da Requiem by Giuseppe Verdi.

Darren has had a varied and successful professional career. He was born in Fordham, Cambridgeshire and attended The King’s School, Ely. He then studied as both an undergraduate and graduate student at the Royal Northern College of Music from 1995 to 2001. During that time he won the RNCM’s highest student award, the Curtis Gold Medal. He sang in the chorus of Glyndebourne Festival Opera while still a post-graduate student as well as singing the title role in the college’s 2001 production of Verdi’s Falstaff. On completion of his studies in Manchester, he joined The Royal Opera’s Young Artists Programme in its founding year.

Jeffery made his professional debut as a principal artist as Sciarrone in Puccini’s Tosca at the Royal Opera House in 2002. He subsequently appeared with the company in several more roles, including Bottom in A Midsummer Night’s Dream, Monterone in Rigoletto, and Masetto in Don Giovanni. He went on to an international career, appearing on the stages of many European opera houses and festivals. In 2008 he was a finalist in the Seattle International Wagner Competition and in 2013 made his US debut as Kothner in Lyric Opera of Chicago’s production of Die Meistersinger von Nurnberg.  His work as a soloist in oratorio and concert includes  ElijahLe RossignolLe TroyensThe Seven Last Words of ChristPeter Grimes, and most recently a concert performance of the Glyndebourne production of Billy Budd.

Among Darren’s several appearances at the BBC Proms was Elijah in 2003.

We look forward to welcoming him to Torquay and Barnstaple and hearing him sing.

The Verdi Requiem Soloists – Dawid Kimberg

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Dawid Kimberg
Dawid Kimberg

The treats continue as the Coast to Coast Choir has pleasure in introducing the second of the four soloists for the combined choirs performance of Verdi’s famous Messe da Requiem to be performed at 7.30pm on Saturday 2nd July 2016 in the Assembly Rooms, Torquay Town Hall. 

If you are unable to come to Torquay then the performance takes place again in the Pannier Market, Barnstaple on Sunday 3rd July starting at 3pm.

Tickets for the Torquay performance can be obtained through this website – for further details click here

Second on our list of soloists for these two concerts is South African baritone Dawid Kimberg.  Dawid has stepped in to sing the tenor part as the soloist originally advertised, David Webb, is unable to join us.  We are fortunate indeed to have Dawid to sing with us – as you will discover from his resume and the wonderful video from Inside Opera Live he is not only a fine singer but also capable of turning tweets into artistry.

Dawid was a Jette Parker Young Artist for The Royal Opera 2009–11, singing roles including Steersman (Tristan und Isolde) Moralès (Carmen) Marullo (Rigoletto) and Surintendant des Plaisirs (Cendrillon). Since leaving the Programme he has returned to sing Masetto (Don Giovanni) for the Company.

Kimberg was born in Johannesburg and moved to the UK in 2001 to study singing with Ryland Davies at the Royal College of Music and at the National Opera Studio. Kimberg’s engagements have included Dr Falke for Bolshoi Opera, Guglielmo (Così fan tutte) for Opera Holland Park, Count Almaviva (Le nozze di Figaro) for Glyndebourne on Tour, Mr Gedge for Théâtre du Capitole du Toulouse and Ned Keene (Peter Grimes) for Deutsche Oper am Rhein.

Kimberg regularly performs in many major oratorio works in the UK and beyond, and in recital has sung at the Wigmore Hall. Further concert appearances include Schubert’s song cycles  Die schöne Müllerin  and Schwanengesang in the Crush Room at the Royal Opera House.

 

The Verdi Requiem Soloists – Heloise West

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Héloïse West
Héloïse West – soprano

We are in for a real treat as the Coast to Coast Choir has pleasure in introducing the soloists for the combined choirs performance of Verdi’s famous Messe da Requiem to be performed at 7.30pm on Saturday 2nd July 2016 in the Assembly Rooms, Torquay Town Hall.  If you are unable to come to Torquay then the performance takes place again in the Pannier Market, Barnstaple on Sunday 3rd July starting at 3pm. Tickets for the Torquay performance can be obtained through this website – for further details click here

First on our list of soloists for these two concerts is Héloïse West, a well-known and accomplished soprano who we are delighted to welcome.  Heloise will take us through the highs and lows of the great work finally reaching the highest of high notes towards to the end of the Requiem.  You will discover what this is like if you watch the video below, sung by Renee Fleming and conducted by Antonio Pappano – if you haven’t time to listen to the whole piece go to 7 mins 15 seconds and listen for a moment or two. At 11mins 26 seconds you can hear another stratospherically high note. This is, indeed, one of the great feats of the human voice and to hear a singer live achieve this wonderful sound is a treat indeed.

Héloïse West was born in Devon.  When she joined the National Youth Choir of Great Britain she received a gifted pupil award. She gained an Entrance Exhibition to the Royal Academy of Music, graduating with an LRAM and a Bachelor of Music degree in performance. She has also studied at the Guildhall School of Music and Drama.

Héloïse has recently started an in-depth course of study on Wagnerian roles with Lionel Friend.

She has a busy career in the South West singing oratorios.

Her performances include : Bach- St.Matthew Passion, St.John Passion,Mass in B Minor, Brahms– Requiem, Handel- Messiah, Haydn– Nelson Mass, Creation,Mendelssohn-Elijah, Mozart– C Minor Mass, Coronation Mass, Requiem,Poulenc-Gloria, Verdi-Requiem.

#verdicoast #torquay

 

Porgy & Bess

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Porgy and Bess
—Photo by Michael J. Lutch

First performed in Boston in 1935 the opera Porgy & Bess has been  performed many times over the intervening years.  Here  are Norm Lewis and Audra McDonald bringing soul to the American Repertory Theatre’s production of The Gershwin’s Porgy and Bess in 2011.

The story of the writing of the opera runs thus. At some date in the 1920s a black American named Goatcart Sammy murdered a woman and was pursued by the police who, being provided with Cadillacs, not surprisingly overtook the goat-cart and put Sammy in gaol.  This story caught the fancy of one DuBose Heyward who put it into a novel called Porgy.  This caught the fancy of George Gershwin when he was touring in 1926 with one of his earliest and best musicals, Oh, Kay!  He wrote to Heyward suggesting an opera.  Heyward put him off because he was dramatizing the book for Broadway.  The play was a hit and in 1932 Gershwin propositioned Heyward again.  He saw in Porgy a chance to write and opera where he could find the middle ground between classical music and American jazz, one of his lifelong desires and by now a fixation.  The deal was done; Heyward was to do the libretto working along with George’s brother Ira, widely know as a top class lyricist.

George put in a lot of homework living on an island off Charleston, South Carolina, studying a community whose music was thought to be the nearest thing to the real ‘McCoy’ in the matter of spirituals.  He wrote the opera in 20 months.  The piano score was entirely his own work but how much of the orchestration he did himself has always been a bit of mystery.

The Gershwin brothers were the impresarios as well as the creators of Porgy and they took great pains to audition and selected their all-coloured cast.  Todd Duncan got the role of Porgy and was to sing the hit numbers all over the world for the next 40 years.  After the out-of-town run the show had its real first night in the Alvin Theatre, New York on 10 October 1935.  It ran for 124 performances – not enough to recoup the investment on a Broadway musical but surely a candidate for the Guinness Book of Records as an opening run of consecutive performances of a new opera.